Mustard on the SAME damn beat

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  • Peezy_Jenkins
    Peezy_Jenkins Guests, Members, Writer, Content Producer Posts: 33,205 ✭✭✭✭✭
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    MoneyLuver wrote: »
    Peezy_Jenkins wrote: »
    MoneyLuver wrote: »
    So since u agree that he got hits then just leave it at that and watch him cook.


    You're not actually aware of how Mustard makes his music. Becuz he does it the right way.


    "My ? " - YG
    https://www.youtube.com/watch?v=uYauIsDWkRE&feature=youtube_gdata_player


    "Sanctified" - Rick Ross
    https://www.youtube.com/watch?v=A4r_7yci9Gs&feature=youtube_gdata_player


    ''Show Me'' - Kid Ink
    https://www.youtube.com/watch?v=FIXJcmcnnhg&feature=youtube_gdata_player



    Nobody ever know what they talkin about when they criticizin

    lol what are u saying here? nobody has said anything that goes against what he says in these videos. the criticism on him is he needs to change up more often and its overly simplistic, these videos help validate that argument, hell in one of em all he did was drop drum sounds on a beat, his brother shoulda got for puttin in them few lil sounds. bruh i think u might need to retire from commenting on production

    I need to retire? ? u don't even know what people be talkin about when they say "there's a difference between a Producer and a Beat-Maker". U just blindly agree.



    You probably haven't even read the credits on YG's album. If did then you'd know that there's about 3 or 4 Producers on every track. If you actually watched the video then you'd see he says he'd rather produce Albums and not Singles. If you actually heard "My Krazy Life" then you'd know how rich the instrumentals are - I said Instrumentals not Beats



    U a bop, fall back

    im not seeing all these production credits u talkin about
    http://en.wikipedia.org/wiki/My_Krazy_Life

    where have i brought up the argument of producer vs beat-maker in this thread ? ?

    i been watched these videos weeks ago, i think i actually posted one on here myself, so i know all about the talk of him rather produce albums than singles, all that other ? u sayin has nothing to do with the post i directed towards u or any of the other criticism in this thread u idiot, so again i ask u, what the ? are u tryna do, besides validate whats already been brought up, u can call ? bops all u want, fact remains yo ? ass has been sonned all over this sub forum when it comes to talking about production, better find u sum to talk about that u actually kno bout like gettin yo ass ate or sum n/h.
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  • MoneyLuver
    MoneyLuver Members Posts: 2,384 ✭✭✭✭
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    7. My N***a (feat. Jeezy & Rich Homie Quan)
    Written by: K. Jackson, D. McFarlane, M. Adam, J. Jenkins, D. Lamar, C. Broadus, A. Johnson, C. Lawson, C. Miller (BMI/SESAC)
    Produced by Dijon “DJ Mustard” McFarlane
    Co-Produced by Mikely Adam
    Recorded by Dee Brown and Zane Shoemake at Patchwerk Studios, Atlanta, GA and by James Royo at Windmark Studios, Santa Monica, CA
    Mixed by James Royo at Record Plant, Los Angeles, CA
    Rich Homie Quan appears courtesy of Think It’s a Game Entertainment
    Contains interpolation of “Down For My N S,” written by C. Broadus, A. Johnson, C. Lawson and C. Miller, published by EMI Blackwood Music Inc. (BMI)/My Own Chit Publishing (BMI)/LP Boyz Music LLC (BMI)/Block Off Broad Publishing (BMI)

    8. Do It To Ya (feat. TeeFLii)
    Written by: K. Jackson, D. McFarlane, C. Jackson, C. Jones, D. Arnaud, C. Broadus, R. Brown, C. Calhoun, N. Hale, Michel’le, L. Campbell, D. Hobbs, M. Ross, C. Wongwon (ASCAP/BMI)
    Produced by Dijon “DJ Mustard” McFarlane and C-Ballin
    Recorded by Dee Brown at Patchwerk Studios, Atlanta, GA and by James Royo at Amerycan Studios, Los Angeles, CA and Encore Studios, Burbank, CA
    Mixed by Derek “MixedByAli” Ali for Top Dawg Entertainment at No Excuses Studios, Santa Monica, CA and by James Royo at Encore Studios, Burbank, CA
    Mix assisted by James Hunt
    Keys: Terrace Martin
    Additional Vocals: Wyann Vaughn, Jeret Black
    Gang Vocals: Reem Riches, Tee Cee, Slim 400 & Rodney J. “RJ” Brown
    TeeFLii appears courtesy of Epic Records
    Contains interpolations of “Let’s Play House” written by D. Arnaud, C. Broadus, R. Brown, C. Calhoun, N. Hale, Michel’le and published by Warner-Tamerlane Publishing Corp. (BMI)// Nate Dogg Music (BMI)//BMG Gold Songs (BMI)//Suge Publishing (BMI)//Delmar Arnaud Musiq (BMI)//Snoop Doggy Dogg (BMI)//Cynthia E. Calhoun Publishing (ASCAP). All rights reserved. Contains an interpolation of “Face Down Ass Up,” written by L. Campbell, D. Hobbs, M. Ross and C. Wongwon and published by BMG Platinum Songs (BMI)

    9. Me & My ? (feat. Tory Lanez)
    Written by: K. Jackson, B. Whitfield, R. Brooks, D. Peterson (BMI/SOCAN)
    Produced by B Wheezy for B Wheezybeatz/Adella Thomas Management
    Additional Production by Terrace Martin
    Recorded by Dee Brown and Zane Shoemake at Patchwerk Studios, Atlanta, GA Mixed by Derek “MixedByAli” Ali for Top Dawg Entertainment at No Excuses Studios, Santa Monica, CA
    Mix assisted by James Hunt
    Bass: Terrace Martin
    Additional Keys: Terrace Martin
    Guitar: Marlon Williams
    Background Vocals: Wyann Vaughn

    10. Who Do You Love? (feat. Drake)
    Written by: K. Jackson, D. McFarlane, A. Graham, A. Forte, W. Bell, B. Jones (BMI/SOCAN)
    Produced by Dijon “DJ Mustard” McFarlane
    Recorded by James Royo at Windmark Studios, Santa Monica, CA and Record Plant Studios,
    Los Angeles, CA
    Mixed by James Royo at Encore Studios, Burbank, CA
    Scratches by DJ John John
    Drake appears courtesy of Young Money Entertainment/Cash Money Records, Inc.
    Contains an interpolation of “Playaz Club” written by Anthony Forte, William Bell and Booker T. Jones, published by Songs of Universal, Inc./Rag Top Publishing/Irving Music, Inc. (BMI)

    11. Really Be (Smokin N Drinkin) [feat. Kendrick Lamar]
    Written by: K. Jackson, T. Griffin, M. Barrow, B. Moore, K. Duckworth (ASCAP/BMI)
    Produced by Ty Dolla $ign & Chordz
    Additional Production by Terrace Martin
    Recorded by Dee Brown at Patchwerk Studios, Atlanta, GA and by Derek Ali for Top Dawg Entertainment at No Excuses Studios, Santa Monica, CA
    Mixed by Derek “MixedByAli” Ali for Top Dawg Entertainment at No Excuses Studios, Santa Monica, CA
    Mix assisted by James Hunt
    Percussion: Terrace Martin
    Additional Keys: Terrace Martin
    Scratches by Battlecat
    Kendrick Lamar appears courtesy of Top Dawg Ent./Aftermath Records

    12. 1Am
    Written by: K. Jackson, L. Wayne, D. Axelrod, B. Bailey, M. Bradford, C. Broadus, A. Young (ASCAP/BMI)
    Produced by Metro Boomin’
    Recorded by Dee Brown at Patchwerk Studios, Atlanta, GA
    Mixed by Derek “MixedByAli” Ali for Top Dawg Entertainment at No Excuses Studios, Santa Monica, CA Mix assisted by James Hunt
    Keyboards: Terrace Martin
    Additional Vocals: Smooth
    Contains portions of the musical composition entitled “Next Episode,” written by D. Axelrod, B. Bailey,
    M. Bradford, C. Broadus and A. Young and published by My Own Chit Publishing (BMI)/EMI Blackwood Music Inc. (BMI)/Beechwood Music Corporation (BMI)/WB Music Corp. (ASCAP)/Hard Working Black Folks Inc. (ASCAP)/Big Yacht Music (ASCAP)/Loot On Loose Leaf Music (ASCAP)/Ain’t Nothing But Funkin’ Music (ASCAP). Used by permission. All rights reserved.

    13. Thank ? (Interlude) [feat. Big TC & RJ]
    Backing track by Dijon “DJ Mustard” McFarlane
    Recorded by James Royo at Windmark Recordings, Santa Monica, CA

    14. Sorry Momma (feat. Ty Dolla $ign)
    Written by: K. Jackson, T. Martin, D. McFarlane, T. Griffin (ASCAP/BMI)
    Produced by Terrace Martin
    Co-Produced by Dijon “DJ Mustard” McFarlane
    Recorded by Dee Brown at Patchwerk Studios, Atlanta, GA
    Mixed by Derek “MixedByAli” Ali for Top Dawg Entertainment at No Excuses Studios, Santa Monica, CA
    Mix assisted by James Hunt
    Keys: Terrace Martin
    Additional Keys: Kenneth Crouch
    Guitar: Marlon Williams
    Sax: Terrace Martin
    Additional Vocals: Wyann Vaughn
    Ty Dolla $ign appears courtesy of Atlantic Recording Corporation
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  • MoneyLuver
    MoneyLuver Members Posts: 2,384 ✭✭✭✭
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    Deluxe Version Bonus Tracks

    15. When I Was Gone (feat. RJ, Tee Cee, Charlie Hood, Reem Riches & Slim 400)
    Written by: K. Jackson, D. McFarlane (BMI)
    Produced by Dijon “DJ Mustard” McFarlane
    Recorded by James Royo at Windmark Studios, Santa Monica, CA and by Dee Brown at Patchwerk Studios, Atlanta, GA
    Mixed by Derek “MixedByAli” Ali for Top Dawg Entertainment at No Excuses Studios, Santa Monica, CA
    Mix assisted by James Hunt

    16. Bompton
    Written by: K. Jackson, D. McFarlane, V. Cohran (BMI)
    Produced by Dijon “DJ” Mustard
    Recorded and Mixed by James Royo at Serenity Studios, Los Angeles, CA

    17. My N***a (feat. Lil Wayne, Rich Homie Quan, Meek Mill & Nicki Minaj) [Remix]
    Written by: K. Jackson, D. McFarlane, M. Adam, J. Jenkins, D. Lamar, C. Broadus, A. Johnson, C. Lawson, C. Miller (BMI/SESAC)
    Produced by Dijon “DJ Mustard” McFarlane
    Co-Produced by Mikely Adam
    Recorded by Dee Brown and Zane Shoemake at Patchwerk Studios, Atlanta, GA and by James Royo at Windmark Studios, Santa Monica, CA
    Mixed by James Royo at Encore Studios, Burbank, CA
    Lil Wayne appears courtesy of Cash Money Records, Inc.
    Rich Homie Quan appears courtesy of Think It’s A Game Entertainment
    Meek Mill appears courtesy of Maybach Music Group/Atlantic Records
    Nicki Minaj appears courtesy of Young Money Entertainment/Cash Money Records, Inc. Contains interpolation of “Down For My N S,” written by C. Broadus, A. Johnson, C. Lawson and C. Miller, published by EMI Blackwood Music Inc. (BMI)/My Own Chit Publishing (BMI)/LP Boyz Music LLC (BMI)/Block Off Broad Publishing (BMI)

    Executive Producer: Jeezy for CTE Music
    Executive Producers: YG, DJ Mustard & Sickamore
    A&R: Sickamore
    Management: Russell Redeaux & Brandon Moore for Stampede Management Artist Legal: Helen Yu, Esq. for Yu Leseberg, A Professional Law Corporation CTE Music: President Steve Carless and GM Erica Bowen
    A&R Coordination: Leesa D. Brunson, Su-Rmi Givens
    A&R Administration: Keith R. Tucker
    Marketing: Rob Caiaffa
    Mastered by Chris Gehringer at Sterling Sound, NYC Photography, Art Direction by Mike Miller
    Cover Styling: Shannon Miller Design by Lucky Alvarez
    Wardrobe Styling: Keyana Franklin
    Art & Photography Production: Tai Linzie
    Package Production: Paul Lane
    Clearances: Eric Weissman Music Licensing Inc.
    Business Affairs: Lynn Gonzalez, Antoinette Trotman, Ian Allen, Vol S. Davis IIII

    ℗ © 2014 Def Jam Recordings, a division of UMG Recordings, Inc., 1755 Broadway, New York, New York 10019. Distributed by Universal Music Distribution. All rights reserved.
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  • Peezy_Jenkins
    Peezy_Jenkins Guests, Members, Writer, Content Producer Posts: 33,205 ✭✭✭✭✭
    edited June 2014
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    MoneyLuver wrote: »
    14. Sorry Momma (feat. Ty Dolla $ign)
    Written by: K. Jackson, T. Martin, D. McFarlane, T. Griffin (ASCAP/BMI)
    Produced by Terrace Martin
    Co-Produced by Dijon “DJ Mustard” McFarlane

    this is an example of what i meant, he say on my ? , he just came in and did the drums after someone else did the sounds, whoever did the sounds should have at least gotten a main production credit imo. mustard a co producer there

    i give mustard props for goin in after a record is recorded and tweaking it to how he wants it, id do the same, but when it comes to his actual sound, it leaves something to be desired imo
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  • (ob)Scene
    (ob)Scene Members Posts: 4,729 ✭✭✭✭✭
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    This ? MoneyLuver must have lost his virginity to that YG album or something the way he's caping it.
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  • MoneyLuver
    MoneyLuver Members Posts: 2,384 ✭✭✭✭
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    SHUT THA ? UP P-URKLE
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  • Peezy_Jenkins
    Peezy_Jenkins Guests, Members, Writer, Content Producer Posts: 33,205 ✭✭✭✭✭
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    MoneyLuver wrote: »
    SHUT THA ? UP P-URKLE

    man come on mane. did u just really just said this.

    this just tied for number 1 woat. even bop was funnier.
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  • MoneyLuver
    MoneyLuver Members Posts: 2,384 ✭✭✭✭
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    And the way your mama suck my ? while your begging her for gas money over the phone is funnier than that
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  • MoneyLuver
    MoneyLuver Members Posts: 2,384 ✭✭✭✭
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    (ob)Scene wrote: »
    This ? MoneyLuver must have lost his virginity to that YG album or something the way he's caping it.

    I'll cape over great pieces of art. That album was excellently executed.


    That's what Ren was really ? about when he was talking about this era's hip hop
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  • MoneyLuver
    MoneyLuver Members Posts: 2,384 ✭✭✭✭
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    · becuz he wasn't on it
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  • Peezy_Jenkins
    Peezy_Jenkins Guests, Members, Writer, Content Producer Posts: 33,205 ✭✭✭✭✭
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    MoneyLuver wrote: »
    And the way your mama suck my ? while your begging her for gas money over the phone is funnier than that

    mma_facepalm_gif.gif

    u got it bruh.

    there needs to be an age requirement or some ? on here.
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  • MD_PROPER
    MD_PROPER Members Posts: 1,526 ✭✭✭✭✭
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    As he (Mustard) gets more experience in the industry, he'll meet other producers and beat makers, his influences will grow, and his sound will evolve....

    Blame these artist for chasing the same sound.

    Let the man cook tho... rather make the same sound and get paid then punch a fvkn clock everyday.
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  • KINGEC
    KINGEC Members Posts: 7,833 ✭✭✭✭✭
    edited June 2014
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    Don_Proper wrote: »
    As he (Mustard) gets more experience in the industry, he'll meet other producers and beat makers, his influences will grow, and his sound will evolve....

    Blame these artist for chasing the same sound.

    Let the man cook tho... rather make the same sound and get paid then punch a fvkn clock everyday.

    And that's another thing too. Most of these artist want the same sounding ? .

    I believe Mustard might have some different ? but these artist don't want to take a chance with em.

    I think 9th wonder was talking about that in a video. He was like "I got some different ? but they want my old ? ...I mean...I ain't gon turn down a check...". lol.

    Regardless, ? gets stale over time and he's gon have to switch it up eventually.
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  • EarPlug0128
    EarPlug0128 Members Posts: 282 ✭✭
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    There's a difference between having a "sound" and having a style or nuances.
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  • hiphop12345
    hiphop12345 Members Posts: 1,933 ✭✭✭✭✭
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    SWAMPGOD wrote: »
    i dont even like mustard but yall ? say that about every ? non-east coast producer that come out, preemo and all them ? sound the same on every beat too, every producer got a sound ?

    ? blame NY/east for everything. The Bay mad at mustard and you people will say " Yo it's Biggie fault".
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  • G.Avant
    G.Avant Members, Writer Posts: 4,360 ✭✭✭✭✭
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    MoneyLuver wrote: »
    So since u agree that he got hits then just leave it at that and watch him cook.


    You're not actually aware of how Mustard makes his music. Becuz he does it the right way.


    "My ? " - YG
    https://www.youtube.com/watch?v=uYauIsDWkRE&feature=youtube_gdata_player


    "Sanctified" - Rick Ross
    https://www.youtube.com/watch?v=A4r_7yci9Gs&feature=youtube_gdata_player


    ''Show Me'' - Kid Ink
    https://www.youtube.com/watch?v=FIXJcmcnnhg&feature=youtube_gdata_player



    Nobody ever know what they talkin about when they criticizin

    You better be mad about somebody else opinion and I already saw all of those videos how he does it doesnt matter repetitive and simple is repetitive and simple period
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